Christmas and romance appear to all the time go collectively, particularly within the film enterprise. However earlier than we have been so cruelly subjected to Hallmark romances and hedonistic “rom-coms,” there was the romantic appeal of Hollywood’s golden age. These romances have been hardly superficial. They usually handled grave issues, like poverty and suicide. Darkness was pervasive, and maybe it’s exactly this mix of gravity and playfulness that makes such films timeless.
Ernst Lubitsch’s 1940 movie, The Store Across the Nook, is a part of that custom. It tells a narrative of people that work at Matuschek and Firm, a small store in Budapest that sells every kind of products. As a result of it’s primarily based on a Hungarian 1937 play by Miklós László, Lubitsch’s movie additionally takes place in Budapest. Nevertheless, its timeless and placeless high quality doesn’t make us query this selection. That is partly because of the stars of the movie, James Stewart and Margaret Sullavan.
Stewart performs Alfred Kralik, the shop’s clerk, who’s making an attempt to rise in rank. The shop is owned by Hugo Matuschek (Frank Morgan), an impatient but form man, who’s making an attempt to run one of the best store in Budapest. The shop has a number of staff: Ferencz Vadas, one other clerk who’s perpetually ingratiating himself in entrance of Mr. Matuschek in hopes of being promoted to the shop supervisor; Flora Kaczek and Ilona Novotny, store assistants; Pirovitch, one other clerk with not quite a lot of confidence however loads of goodness; and Pepi Katona, an errand boy who has an outsized opinion of every thing, together with himself.
For the shop’s staff, life appears to be pretty easy. Though they take care of one another, this unusual group of individuals is individually centered on their very own lives. All of them belong to the center class, with the potential exception of Mr. Matuschek himself, who’s, in any case, the proprietor of the store.
Even the opening scene of the movie reveals this distinction at school. It’s morning, and the employees are standing in entrance of the store ready for Mr. Matuschek to unlock the door. As they chat to move the time, their considerations primarily must do with cash and find out how to make ends meet. On the similar time, everyone seems to be making an attempt to rise above the present class. Some, like Vadas, have an interest not solely in cash however in energy and standing. He thinks he’s above his co-workers in each means, and his dialog exhibits it as he brags in regards to the earlier night, dropping hints in regards to the fabulous time he had with out ever actually revealing what he did and with whom. Vadas masks every thing by way of excessive politeness and boundless sociability, however all people is aware of deep down he lacks authenticity. In different phrases, he’s an opportunist.
What attracts Kralik and Klara to one another is not only the deeply mental letters they’ve despatched one another however the craving for genuine love.
Though Kralik is a much better man, he too wants not solely to deal with himself and safe the job, but additionally to get promoted. He’s maintaining a tally of that prize, though we all know that in the end he is an efficient man who cares not solely about his fellow employees and his boss but additionally about propriety.
The routine of the store is disrupted by the arrival of Klara Novak (Margaret Sullavan), a younger girl in search of work. Mr. Matuschek will not be at the moment hiring any new employees, however that doesn’t cease Klara from making an attempt. She comes into the shop underneath the pretense of shopping for a brand new bag. Kralik jumps at a chance to serve the client and make the sale. After a number of well mannered exchanges, Kralik realizes that Klara has no intention by any means of shopping for something within the retailer. He turns into visibly irritated together with her, and this units the tone of their relationship because the story unravels.
Regardless that Mr. Matuschek has no intention of hiring anyone, Klara nonetheless will get the job due to her capacity to promote a cigarette field (that was not promoting) as one thing solely totally different: a chocolate field for girls. Mr. Matuschek is impressed, and Klara turns into a part of the store household. Kralik reluctantly accepts her into the fold however is most undoubtedly not happy together with her presence. The truth is, each of them clearly and visibly don’t like one another in any respect.
This seeming hatred stands in nice distinction to a relatively candy actuality that each Kralik and Klara usually are not conscious of—the truth that they’ve been corresponding with one another anonymously, and have fallen in love with one another primarily based on their mental letter change. This juxtaposition is a vital comedic system, but Lubitsch exhibits nice restraint and delicate contact in growing his characters.
The letter correspondents lastly resolve to satisfy, however their plans are thwarted by the truth that Mr. Matuschek has instructed everybody to remain on the retailer after hours to brighten for Christmas. Within the midst of this love drama, gloominess has descended upon the store. Mr. Matuschek will not be a contented man and spends his days making an attempt to fulfill his spouse, who has a penchant for cash. He appeases her on daily basis, responding shortly to each whim, each query, and each request. Naturally, this type of life has taken a toll on him, and he seems to be absent-minded, or on the very least, some other place, dreaming of a greater life.
The dread that Mr. Matuschek feels is inescapable. As well as, he suspects that his spouse is having an affair with a youthful man. One way or the other, he has satisfied himself that this younger man is Kralik. With no shred of proof, he decides to fireplace Kralik, who’s surprised by this resolution. He hoped to get promoted, and as a substitute, proper earlier than Christmas, he misplaced his job. Matuschek offers him a glowing advice and is clearly uneasy about firing his greatest clerk.
Within the meantime, Matuschek meets with the detective whom he employed earlier and finds out that his spouse is certainly having an affair, not with Kralik, however with Vadas. This fact, and the precise proof of his spouse’s affair, is an excessive amount of to bear. He sends his employees residence and goes into the workplace with the intent to commit suicide. He’s saved from his personal destruction by Pepi, the errand boy.
Lubitsch’s Christmas romance is tinged with melancholy, but it’s not hopeless. What attracts Kralik and Klara to one another is not only the deeply mental letters they’ve despatched one another however the craving for genuine love. They’re conscious that with a purpose to succeed, they have to push ahead, but on the similar time are content material to remain inside that social and financial class. Is there one thing extra for each of them? Maybe, however provided that they grow to be one.
Romance is commonly divorced from actuality. It has a dreamlike high quality, and Lubitsch’s cinematic contact uniquely blends an ethereal fairy story and the social and financial realities of each work and marriage. The craving for love, for eros, is commonly introduced in movie as an phantasm, an idealized look into the eyes of the Beloved. However Lubitsch stakes a declare that eros itself could be and is actual, affecting atypical individuals who lead atypical lives. In different phrases, there may be nothing atypical about love between a person and a girl. As Scott Eyman writes in his biography of Ernst Lubitsch, “Ernst [Lubitsch] offers the individuals at Matuschek and Firm the complete measure of his respect and affection. Via the dignity with which he treats them, the movie turns into a celebration of the atypical, gently honoring the extraordinary qualities that lie inside the commonest of us. As Alfred Kralik says, ‘Individuals seldom go to the difficulty of scratching the floor of issues to seek out the interior fact.’”
But this seek for one thing deeper, particularly on Christmas Eve, is on the middle of The Store Across the Nook. Stewart, specifically, has a novel knack for making a balanced and weird mix of propriety and the erotic ambiance. He’s the everyman, and one of many essential the explanation why the movie’s geographic specificity is transcended. He loves and feels deeply and totally, and we see right here the glimpses of melancholy that grow to be a part of Stewart’s persona and oeuvre after World Conflict II, starting with Frank Capra’s It’s a Great Life (1946).
This isn’t to downplay Margaret Sullavan’s contribution. Her playfulness and earnestness soften away Kralik’s honorable pretense and occasional steely resolve. The good finale, when Kralik reveals to Klara that he’s the person within the letters, is without doubt one of the most sincere and loving, if not erotic, moments in cinema. In some methods, each Lubitsch and Stewart have unintentionally created a dignified eros that goes past the physicality. Stewart’s mere presence affirms the notion that love and eros require each intimacy and privateness. Even when Kralik and Klara embrace and kiss on the finish, they’re standing, alone, in the course of the store. The lights are off, and people which might be on are fairly dim, within the heat glow of the Christmas tree. There isn’t a public show of bravado. Quite, the second highlights the authenticity and sacredness of affection.
Lubitch’s The Store Across the Nook affords a more in-depth take a look at the inside lives of women and men, usually forgotten. By making Kralik and Klara facilities of this interiority, Lubitsch is saying that there’s nothing atypical about love. If a person and a girl open their eyes, the Beloved is simply across the nook.
