A Drop of Golden Sun – Gage Klipper

There’s a sure sort of movie that weighs closely on America’s collective nostalgia for kinder and gentler occasions. But in the identical breath that we yearn for this simplicity, we frequently can’t assist however scoff at it.

For many of us, there’s a particular movie that involves thoughts: one which we bear in mind fondly from childhood, or the one we watch annually on the vacations. After tearing up at human kindness, the triumph of advantage, and the redemptive energy of affection, religion, and household, we shortly return to life’s little drudgeries. And whereas we recognize such advantageous sentiments, we all know this isn’t actual life—as any savvy modernist will inform you. 

The Sound of Music, re-released in 4K to commemorate its sixtieth anniversary this yr, is the quintessential instance, exactly as a result of it hits on the extremes. It’s cloyingly saccharine in each fashion and substance, a lot in order that critics initially deemed it an emotionally manipulative flop. But it proved the take a look at of time, sweeping the Oscars to change into one of many highest-grossing films in historical past and a staple lesson in each morality and musical training. Removed from taking it as an insult to their intelligence, successive generations have come to like the movie and its message at face worth.

The critics have been finally mistaken and audiences have been proper: the movie is unquestionably sentimental, however stays earnest in its aesthetic, message, and general intent. However what have we misplaced in in the present day’s cynical tradition that makes this apparent fact far tougher to see?

Because the movie opens, the very first thing you see is the mountains. Typically, sweeping panoramic photographs use nature to evoke concern or dread: the opening scene of The Shining, for instance, builds rigidity following Jack’s automotive up the Colorado mountain street, whereas Werner Herzog famously used the untamable jungle to mock man’s ambition. But The Sound of Music evokes the alternative feeling in its opening scene: A sweeping crescendo of orchestral music builds because the viewer flies above the peaks of the Austrian Alps, and the hills fairly actually come alive with the sound of music. We’re struck by a way of awe and marvel at man’s place inside all of this—not his alienation from it—and winding right down to the valley, we come to seek out Maria precisely the place she belongs. 

Maria is torn between responsibility and self-realization, braveness and self-doubt, religion and need; find out how to reconcile her individuality along with her dedication to being nun, or governess, or finally a spouse and mom? She’s a trustworthy novice, she tells us, on the convent, however on the identical time she’s a free spirit impressed by love, music, and the fantastic thing about the world round her. The stress doesn’t come up as a result of we doubt the sincerity of her religion, however as a result of we perceive and empathize with these earnest distractions of the soul. The nuns see the stress as nicely, so that they take a look at her resolve by sending her to the von Trapp property to function governess to Captain von Trapp and his seven kids, the place the 2 finally fall in love. Maybe God has a better objective for Maria?

There’s a parallel rigidity within the Captain, whose responsibility to his kids, his Baroness fiancée, and his beloved Austria comes beneath pressure. At first, just like the nuns, he can not reconcile his strict methods of child-rearing with Maria’s cheery and tender strategy. His engagement to the Baroness affords a sensible match that ensures social and familial stability, however true, passionate love—the kind he involves really feel for Maria—is noticeably absent. And because the Nazis annex Austria and conscript his navy service, he should select whether or not to serve a regime he despises or abandon his homeland. The movie has a cheerful ending, in fact, with the now-wedded von Trapps and the youngsters escaping over the identical hills of the opening scene into impartial Switzerland. But we’re by no means meant to query whether or not the Captain rejects responsibility in favor of license. Reasonably, because the sound of music softens his coronary heart, he too finds a better objective. 

The story is predicated on the memoir of the real-life Maria von Trapp, and critics latched onto the simplification of the historic file: the household’s wealth was extravagantly exaggerated; the timeline of the actual couple’s 1927 courtship romantically revised in opposition to the backdrop of the Anschluss; and the suspense of a geographically inconceivable escape route. But all of this speaks solely to the critics’ personal cynicism—not the movie’s. 

Regardless of its creative license, the movie’s intent stays earnest. We’re not meant to use a “essential” lens to the characters or their motivations. Though the characters’ inner conflicts are finally resolved, that doesn’t suggest that responsibility, religion, and self-discipline are mere instruments of social management, rightly discarded after they battle with different items. An identical, however far lesser movie, Footloose, preached that lesson twenty years later, however in The Sound of Music, we’re meant to know {that a} good life has a correct steadiness of each greater that means and private success. 

Maria doesn’t surrender on being a nun to “be herself” with a lifetime of music, frivolity, and even chasing a person. The Captain doesn’t ease up on his kids as a result of they deserve license, or go away his fiancée and nation as a result of he now not cares to uphold his obligation to them. Each see a better calling in one another and the life they construct collectively, within the tender vitality they really feel by way of music, and within the preservation of the youngsters’s innocence, which the music permits them to take care of of their escape. Their love for one another, the youngsters, and music brings them private success, however they nonetheless stand for religion, flag, and household—simply otherwise than each initially thought. One doesn’t should be devoutly chaste or a navy hero to guide a significant life; generally, for some individuals, the easy love of a household is an ethical objective in itself. 

In in the present day’s atmosphere, it feels instinctive to be simply as cynical because the critics. Life doesn’t actually work like this; that means and success are fleeting and materials, in the event that they even exist in any respect. The movies of the next eras—even the greats and now-classics—typically instruct us to this finish. We are able to watch The Sound of Music, tear up genuinely, after which transfer on with our day—however can we actually recognize such a simplistic movie as significant artwork with a well timed, and even timeless, message?

Via a up to date lens, it feels there should be a rigidity between simplistic sentimentality and “actual life.” Certainly each can’t resonate with thousands and thousands throughout cultures and generations. But the entire level of universality is to cut back the human expertise right down to its naked framework, one thing we will all share, admire, or aspire to. The sentimentality of the movie could really feel manipulative to a cynic, somebody who foregrounds the problems and injustices of life and, absent any unbiased that means, finds it solely within the battle in opposition to these. Clearly, the movie does simplify the messier elements of life, and actual interpersonal relations hardly ever play out so elegantly; everyone knows this in our personal lives. However in centering these issues which maintain precise that means whereas permitting the messiness to fall to the background, the movie affirms the place actual that means lies. The Sound of Music by no means manipulates us into believing one thing that we don’t already consider, however pushes us in the direction of what we already really feel.

In reality, the human expertise boils right down to how we really feel, or wish to really feel, about ourselves and others, relatively than how we coldly motive our means by way of the world. All of us earnestly wish to see our personal pleased ending, the success and that means of a life nicely lived, nevertheless one era or tradition could outline it. And after we see our personal earnest needs mirrored in artwork, we will’t assist however establish with it at some intuitive degree—even when prevailing knowledge says in any other case. 

It solely feels as if there’s a rigidity right here as a result of the values underfoot have shifted. It’s troublesome to pinpoint a selected heyday for sappy and easy movies like The Sound of Music: when and the way they arose, and why they trailed off. They’re sometimes mid-Century, however can’t totally be attributed to sheer post-war optimism; Frank Capra was piling up Oscars practically a decade earlier than Pearl Harbor. And whereas their decline coincides with the shattering of that optimism in Vietnam, they didn’t disappear altogether. Contemplate Spielberg’s E.T., for one, together with Pixar movies that continued to ship for many years. But it’s simple that the overarching present in artwork, significantly in Hollywood, which so enormously defines our widespread tradition, during the last 60 years has trended in the direction of pervasive irony and cynicism. 

The Sound of Music has stood the take a look at of time, whereas extra cheaply manipulative movies of the identical vein and period have pale into oblivion. That we nonetheless watch it in awe—that there’s nonetheless a requirement for theatrical fanfare 60 years later—suggests there’s an instinctive means that people want to and should dwell. The very trendy method of cynicism and irony shouldn’t be it.

That is what we will nonetheless take from the movie, and any murals—which it certainly is—prefer it. For hundreds of years, Western artwork existed to precise fact as perceived by the artist, his deeply felt actuality about life, emotion, or the human situation filtered by way of a subjective, and ideally superlative, lens. He filters this perception, shaping it with creativeness, type, and emotion, leading to a piece that communicates one thing inwardly private however resonates outward, inviting others to see, really feel, or perceive the world in a means they won’t do on their very own. The Sound of Music matches into this custom way over the postmodernist perversion that questions, undermines, and provokes—fact be damned. Its time and place could also be so arduous to pinpoint exactly as a result of it matches into this grander custom, which, by way of the sheer coincidence of modernity, started to say no simply as movie itself turned the dominant type of artwork. 

It’s not that the message in The Sound of Music is so easy that it lacks that means, however that there exists a false perception that we’re too developed to seek out that means inside it. The reality is that earnest simplicity and optimism can very nicely outline “actual life.” We should solely get better the need to manifest it. 

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